Guitarist Adam Rogers returns with Sight, an album that continues his exploration of heady originals and standards, in the trio format that, with Time and the Infinite (Criss Cross, 2007), took a left ...

While Adam Rogers is no stranger to the standards songbook, the guitarist's three releases as a leader have focused almost entirely on his challenging yet accessible compositions. They've also ...

Adam Rogers, an accomplished classical guitarist, brings depth and versatility to his jazz sound. He also brings a fluid improvisational touch, full of forward momentum, on his latest Criss Cross ...

At some point in time, fusion lost its way. Some say it never really had a firm enough direction, existing only as a symbol of excess, power, and virtuosity to begin with. But those steeped in '70s ...

Hard to say whether or not producer Gerry Teekens has a special affinity for guitarists, but over the years his catalog has swelled with such skilled plectrists as Jimmy Raney, Peter Bernstein, Bobby ...

Structure is both aptly named and a bit of a misnomer. The generally idiosyncratic writing, while clearly rooted in form, also manages to be liberated enough so as to give the recording a more ...

After establishing a solid reputation as part of the fusion collective Lost Tribe and as a sideman with the likes of Michael and Randy Brecker, Ravi Coltrane, and others, guitarist Adam Rogers is ...

It's rare to find artists returning with the same personnel time after time. For reasons sometimes artistic—a diversity of stylistic concerns, the desire to work with a variety of players—and ...