The William Center’s chamber music series opens Sunday at Lafayette College in Easton with the bold sound of the intrepid Prism Saxophone Quartet. For nearly three decades, the group has taken the ...

Since inception, the Origin Classical imprint has existed as a stylistic hinge between classical music and jazz. Defying genre definition, Origin Classical's archive should properly be considered ...

"The saxophone's wide range of timbre can be heard to fine effect on the five discs Prism has released since 2008," Vivien Schweitzer wrote in a New York Times article published Jan. 29. "One, ...

Performances in N.Y.C. Advertisement Supported by By Vivien Schweitzer THE saxophone, invented by the Belgian-born instrument maker Adolphe Sax around 1840, has seldom achieved prominence in the ...

Since the 1840s, when the saxophone was invented by Adolphe Sax, the wind instrument named after him has become a key component of jazz groups ranging from big bands to small combos. It was also a ...

Jonathan Bagg seems like a modest guy, a little embarrassed to admit that he has groupies. The viola player is one-fourth of the internationally acclaimed Ciompi Quartet, founded over 30 years ago at ...

We meet an award-winning saxophone quartet from Texas. A teen flutist who is also a talented figure skater performs Faure. An impressive 16-year-old performs a piece by a guitarist/composer who ...

The saxophone is probably the one musical instrument that we most associate with this thing we call jazz, yet it is perhaps the last instrument that comes to mind when we think of classical music. The ...

BYU will host Croatia’s world-renowned ensemble, the Zagreb Saxophone Quartet with special guest Eugene Rousseau, presenting music ranging from Baroque to 20th century Wednesday, Oct. 30, at 7:30 p.m.

The Metropolitan Saxophone Quartet will be entertaining young and old at the Parsippany-Troy Hills Public Library. From Glenn Miller to Jason Mraz, the family-friendly foursome will perform their ...

Classical saxophonist Sigurd M. Rascher, who devoted his life to redeeming his instrument from what he once bemoaned as its stereotype as an emitter of “vulgar, obtrusive sound,” has died. He was 93.