ICE, Minneapolis and Renee Good
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ICE, Minneapolis and Shooting
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Nationwide outcry over the killing of a Minneapolis woman by an Immigration and Customs Enforcement agent spilled into the streets of cities across the US on Saturday, with protesters demanding the removal of federal immigration authorities from their communities and justice for the slain Renee Good.
Former Secret Service agent defends ICE shooting in Minneapolis that killed woman allegedly using vehicle as weapon. Expert cites split-second decisions.
Minneapolis residents say the killing of Renee Nicole Good triggered memories of 2020 in a city long conditioned to organize after violence by authorities.
New video, taken from the cellphone of Jonathan Ross, the officer who fatally shot Renee Good, was obtained by the website Alpha News and shared by the White House and other administration officials on Friday.
Renee Nicole Good’s final moments were spent in her maroon Honda Pilot, her son’s stuffed animals peeking out from the glove compartment. She had stopped in the middle of a tree-lined south Minneapolis street and motioned for unmarked government vehicles to drive past.
Cellphone footage shows the fatal shooting of a Minneapolis woman by an ICE agent during an alleged vehicle ramming incident amid Trump immigration enforcement tensions.
Minneapolis is the latest Democrat-run city to see an influx of federal agents as part of Trump's immigration enforcement efforts.
Mayor Jacob Frey said he didn't have preconceived notions about the outcome of an investigation but accused federal officials of saying things that are "not true."
A woman was shot and killed by an ICE agent in Minneapolis on Wednesday in what DHS is calling an "act of domestic terrorism." Authorities say she used her car to try to run over federal officers during an enforcement operation.
"If they're saying we shouldn't believe our eyes, then let the investigation take place before you characterize this mother of three as a domestic terrorist," Rep. Ilhan Omar said on "Face the Nation with Margaret Brennan.