When it comes to tackling deeply divisive issues, Mungiu approaches his subject matter with both nuance and the belief that there is no singular truth. In his 2022 feature R.M.N., he depicts a ...

Patience might be a virtue, but as viral food trends take over city sidewalks and lines stretch around the block, it seems to ...

Lanterns isn’t deliberately telling a villain’s origin story, though it might have been more interesting if it had tried. The ...

Maybe it’s a future track star wearing vibrant claws for her first big race, or a new college student proudly repping their ...

The recent book launch of Penn’s Department of Landscape Architecture lives at the intersection of horticulture, landscaping ...

The song, belonging as much in a Paris showroom as a stadium, is one of the album’s best examples of grief turned into ...

From the New Yorker to the Met, Patrick Bringley shares ‘All the Beauty in the World’ from the eyes of a museum guard.

Alejandro G. Iñárritu’s controversial new film stages a climate satire, then turns the spotlight on everyone laughing at it.

With misshapen teeth, threatening eyes, and distorted nose proportions, “funny–ugly” monsters have risen to popularity over ...

Is it okay to do the right things for the wrong reasons? That’s the question stuck in my head after walking out of Lance Oppenheim’s Primetime, a dramatization of events surrounding Chris Hansen’s hit ...