In The Lord of the Rings: The Return of the King (2003), the charge at Osgiliath stands as one of the trilogy’s most heartbreaking and powerful moments. Faramir, following the cold command of his father Denethor, leads a near-suicidal mission to reclaim the city—knowing full well he may not return! What elevates the scene beyond the battlefield is its haunting score. As the riders gallop toward certain doom, we hear not just the thunder of hooves, but the ethereal voice of a boy soprano—Ben Del